13.3.12

How To Have an Amazing Recording Vocals

By Earnest Minella


How to Have Amazing Recording Quality of Vocals

There is importance when keeping track of the lead vocals in order to preserve the impact and visibility of the song.

a. There is actually a specific signal path for each vocalist depending on her voice and you have to figure that out.

This step is actually very long and can take you some time to figure out. However, when you are able to find just the perfect gear for the singer, you are sure to have a great recording.

b. There is actually a factor with regards to the placement of the microphone that can let the vocals sound greatly.

There are certain issues which you must take note of. There will be taking account of the positioning of the microphone in a studio. There is that certain area in the room which you need to determine. You may have different sounds with different walls and corners. You will not do this when the singer is there already. Rather, you have to do this before the recording will start.

The next issue is going to be about the placement of the microphone in connection to the vocalist. The issue can have factors affecting it. Factors include the space of the microphone and the vocalist as well as the angle of its microphone. You can consider all factors as very vital.

The Effect of Proximity

The bass frequency will be more enhanced when the vocalist is closer to the microphone. When you have this knowledge, of course you can make use of it and apply it when the vocalist will be recording. You can know when to let her stay farther or closer to the microphone.

Any kind of microphone has its specific best stating point and there are also some kinds which can be best for majority of the singers. You can let the distance effect take over when the voice would be too thin or too wide. Just be cautious when moving since a slight change in the movement can already produce a very big difference. Let the vocalist come a little bit closer when the voice will become too wide. There must be stability of the voice.

There is no distance effect when you have a unidirectional set-up though. Or when you have a microphone that is unidirectional, the effect is not applicable. The frequency of the bass will not be enhanced or improved at any point with this kind of setting.

However, this unidirectional room can be best for singers who are not able to stand still when singing or recording. But the microphone in here is not that great because of its unidirectional feature. This type of microphone can be used when you have a super silent and free from any noise room.

Microphone effects on both on and off axis along with the mouth of the vocalists must be considered too. A microphone which is in its on axis shall produce harsh and very bright sounds. On the other hand, the off axis can possibly create a sound that is a lot darker and warmer to hear. The microphone capsule is being stroked by sound causing these effects. The capsule of the microphone is the one catching the certain resonance of the voice. Changing its axis will produce different sounds as well. There will be lessening of sibilance and popping when you will have a tilt off axis going to the ceiling.




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